Not to forget the out and out comedy, Houseful has created a year ago… right from the first frame of the film till the end credentials, the entire film was a treat for all those comedy lovers. Keeping the success of the film in mind, the sequel has made and released… did the sequel has managed to support the original version or not?
Moviemaker Farah Khan has taken the Happy New Year movie to another level with three hours entertainment and long drama. However, the movie makes you feel bore, but Abhishek, Boman, Sonu and Vivaan makes perfect contribution to make laugh. Shah Rukh Khan and Deepika Padukone have been showed once again with their epic romance in between them.
Analysis: Ragini Dwivedi has manages to put her role with an typical boss without much trouble, while Nikesha Patel has been seen in an avatar and she has played key role in the movie. Srinagar Kitty’s role shows portrayal elicits both laughter and sympathy at the same time, while the songs of the movie are average at the box office. Raghuraj has not changed much of the story line when compared to the original movie remake of Telugu film Missamma (2003). Performance: Srinagar Kitty has showed best performance as a guy stuck in between his wife and his company boss, which takes away all the accolades. Ragini Dwivedi is still manages to pull her role to a difficult boss and Nikesha Patel has played best role of a common man wife and to manage a middle class family. Final: Namasthe Madam Movie will be not the best movie of the year, but it will definitely entertain family audience till end of the movie.
The first half of the film starts on a positive note and the catches pace slowly. The love making scenes have been fresh and shot well. The movie has been colourful and the songs have been shot extremely well. The first half of the film ends on a decent note. The second half has lot of confusion and some scenes have been shot deviating the narration and main line of the plot. A few scenes in the movie including the kidnapping episode do not make any sense. On the whole second half ends on a predictable note and is tedious.